Tagged: Innovation in Art

  • آرم انجمن خروس جنگی، طراحی استاد جلیل ضیاءپور، ۱۳۲۷، بر زمینهٔ قرمز

    The Role of the Fighting Cock Movement

    Article by Jalil Ziapour, titled “The Role of the Fighting Cock Movement” (Khorus Jangi), Farhang va Azadi newspaper, 1979 Art, too, like any other social factor, gradually undergoes transformation through communications and mutual influences, and becomes representative of the desires...

  • ترکیب‌بندی پیت موندریان با مستطیل‌های قرمز، آبی، زرد و سفید جداشده با خطوط سیاه

    Abstract

    Article by Jalil Ziapour, titled “Abstract”, published in Contemporary Art magazine, December 1993     We all have a kind of introversion in our subjectivity, the manifestation of which is always revealed in various forms under the cover of ambiguity...

  • استاد جلیل ضیاءپور

    A Reconsideration of Art History

    The complete text of Master Jalil Ziapour’s lecture at the Art University Complex (at the invitation of the Seminar Center for the Wisdom of Islamic Art); 3 November 1986 This lecture was organized based on questions posed by the Seminar...

  • نقاشی زن کرد قوچانی اثر استاد جلیل ضیاءپور بهمن ۱۳۳۸

    The Concept of New Art

    The text of the speech by Master Jalil Ziapour at the Fighting Cock (Khorus Jangi) Art Association; published in “Post-e Tehran” magazine (No. 546), 26 March 1955 For about eight years now, new art has been on everyone’s lips, and...

  • نقاشی زینب خاتون اثر استاد جلیل ضیاءپور اسفند ۱۳۳۹

    New Art

    Text of Master Jalil Ziapour’s lecture at the Giti Art Association; published in the weekly magazine “Shahsavar” (Issue 4), 16 October 1950 Last time, I explained what the artistic inclinations and manifestations of the different groups of our people are...

  • تابلوی مسجد سپهسالار، اثر استاد جلیل ضیاءپور، ۱۳۲۷

    Art Connoisseurs of Various Groups and Modern Art

    Text of a lecture by Master Jalil Ziapour at the Giti Cultural Association; published in the weekly “Shahsavar” (No. 2), 2 October 1950 Identifying two fundamental matters in modern art is necessary and imperative: one is the manner in which...