An article by Master Jalil Ziapour, titled “A Critique of Several Painting Exhibitions,” published in Andisheh va Honar magazine, No. 3, Khordad 1333 (May–June 1954). In this month of Khordad (May–June), several painting exhibitions were organized, the characteristics...
Article by Engineer Taherzadeh Behzad, entitled “Artistic Discussion and Criticism, Concerning the Criticism of the Paintings of the Apadana Exhibition,” Mehr-e Iran newspaper, No. 2184, 4 December 1949.
The text of the speech by Master Jalil Ziapour at the opening of Ardeshir Mohassess’s exhibition; published in the weekly “Donya-ye Jadid” (No. 3), 15 May 1967 At the request of Ardeshir Mohassess, I delivered a short speech...
An article by Master Jalil Ziapour, titled “A Visit to the Qandriz Gallery,” published in the weekly “Donya-ye Jadid,” No. 8, 19 June 1967. Last week, I saw the works of four painters on display at the Qandriz...
An article by Master Jalil Ziapour, titled “A Visit to the Borgese Gallery – Ardeshir Arzhang and His Works,” published in the weekly “Donya-ye Jadid,” No. 6, Monday, 5 June 1967. The lack of discipline and imitation among...
An article by Master Jalil Ziapour, titled “Let Us Criticize Correctly” (regarding the paintings of Javad Hamidi and his critic), published in Shahsavar Weekly, No. 1, Monday, 25 September 1950. It is truly strange that a number of...
An article by Master Jalil Ziapour, titled “An Exhibition at the Apadana Gallery and Ziapour’s Critique,” published in the weekly Azarpad, No. 4, Saturday, 15 April 1950. This time, the paintings of our friend Hossein Kazemi have been...
An article by Master Jalil Ziapour, titled “The Solicitude of the Likes of Messrs. Engineer Taherzadeh,” published in the newspaper Mehr-e Iran, No. 2179, Monday, 28 November 1949. The newspaper Mehr-e Iran wrote: In response to the article...
The text of the lecture by Master Jalil Ziapour at the Fighting Cock (Khoroos Jangi) Art Association; published in the weekly magazine “Azarpad” (No. 8), 13 May 1949 I have always said that to recognize modern art and...